TUI SHOU
English version
Introduction
In this brief
article, I would like to introduce to you the tui shou exercise of yiquan.
Yiquan is modern
style of Chinese internal martial art. It was created during the last centrury
by the legendary master Wang Xiangzhai. It consists of several main training
methods - zhan zhuang (pole standing), shi li (testing of strength), fa li
(release of power), moca bu (friction steps), shi sheng (testing of voice) ,
tui shou (pushing hands) and san shou (free fighting).
Tui shou also
appears in many different forms in other internal styles. Here, I would like to
concentrate on the basic ideas of tui shou and on finding the answers to the
questions such as why to practice it and how. Several common misunderstandings
and mistakes during practice will be enlightened by the three experienced
teachers of internal martial arts.
At first I would
like to look in on the name. Tui means "to push" and shou means
"hands". So, tui shou means "pushing hands". But this term
is not very exact. In the internal martial arts we are not pushing with our
hands - each movement is produced by the whole body. We are using coordinated
whole body power which is known as hun yuan li (or nei jin). And much more, tui shou in yiquan is not only about
pushing. We also strike with different parts of the body. Basically you can
issue the force with hand, elbow, shoulder, foot, knee, hip or head. Because of
this, I rather use original term "tui shou" instead of "pushing
hands" or "push hands".
Tui shou in yiquan
In yiquan, there are
two types of tui shou. Single hand tui shou (dan tui shou) and double hands tui
shou (shuang tui shou). Both types of tui shou have several levels of practice
from the basic one to the free style practice. You can practise it stationary
or using various steps in every direction.
Tui shou is an
exercise, in which both partners connect their forearms (or eventually, during
free style practice, any other part of the body) and try to feel, control and
manipulate the other one.
On the following
pictures, you can see one of the stages of tui shou practice - fa li during tui
shou.
Picture 1.
Two students of Andrzej Kalisz during standard single hand tui shou.
Picture 2.
Radek, on the right, neutralizes his opponentīs forward pushing hand.
Picture 3.
Radek slaps his opponentīs hand and cleares the way to execute the strike.
Note, that he is aiming at the elbow of his opponent.
Picture 4. As Radek moves his opponentīs hand down, he prepares his second hand for
chop.
Picture 5.
Radek chops his opponentīs neck and still maintain the control of the
opponentīs hand near elbow. The whole pi fa - "the method of
chopping" - (Pic.3 - Pic.5) is done during fraction of the second in
explosive way.
The folowing is the
interview with Mr. Andrzej Kalisz,
chief instructor and director of the Academy of Yiquan (Poland) and disciple of
Master Yao Chengguang.
What is the purpose of tui shou practice?
Thanks to tui shou
you can check the results of practice of the basic training methods, and eventually
correct and improve your basic practice.
The most basic tui
shou is just one of the basic training methods, but with partner. And when we
are talking about so called free tui shou, it's part of free fighting. In any
fight there are often situations when there is contact between arms of both
opponents. Thanks to tui shou practice, you are able to react properly in such
situations. You learn to feel your opponent, to affect his balance, to use
holes in his defense and to create them too.
At higher level you
should be able to use any part of your body in this way,
not just hands. But
of course tui shou is only a part of free fighting. It is said that tui shou
supplements san shou and san shou supplements tui shou. Tui shou, even if you
practice it free style, is not free fighting yet. On the other hand, without
tui shou, your free fighting skill wouldn'tbe complete.
How it is connected with other yiquan exercises?
When we are talking
about most basic tui shou, it can be said that it is shi li with partner. Shi
li - testing strength - are slow movement exercises in which youare checking
the feeling of strength, imagining that while moving you are overcoming some
resistance, but at the same time trying to stay relaxed. Feeling the force of
resistance actually means feeling the force with which you are overcoming this
resistance. This is so called yi zhong
zhi li - force inside mind, which is what was traditionally known as nei
jin - internal force. Basic tui shou is often called shi li with
partner, as you practice
in the same way as in shi li, but here instead of only
imagined resistance,
there is some real opponent. Then a bit higher stage of tui
shou is practicing
bianhua - changes. Here you are using some fa li - methods of
issuing force, which
in other internal arts are known as fa jin. But in yiquan most important is
free tui shou practice, which is kind of limited sparring. There can be
different variants - sometimes you can concentrate on just pushing -
unbalancing opponent and throwing him off, sometimes you can concentrate more
on searching holes in his defense and hitting - actually some slight patting
with palm is used, and of course you can practice both methods together. Thanks
to this practice, when you do san shou - free fighting practice, you should be
able not only to hit your opponent,
but also use the
skills developed in tui shou - unbalancing, throwing off
and throwing down,
changing direction of opponent's attack, searching and
creating holes in
his defense. Sometimes the contact between your and your
opponent's arms is
quite long, and then it's obvious that it's very much like the situation during
tui shou practice, but sometimes it's just split of a second, and in such short
time you should also be able to react the same way as in tui shou.
What is usualy overlooked or misunderstand by students
during tui shou practice?
Many students often
forget about the relation between tui shou and san shou.
Tui shou is not
pushing hands for sake of pushing hands. Tui shou practice should serve the
demands of san shou practice. So when you practice tui shou, although it is
limited comparing to san shou, you should remember that it is part of san shou
and not something independent. But quite many students tend to seek some
"tricks" or "methods" which work in tui shou only because
of its limitations, but wouldn't make any sense in free fighting.
For example when we
practice free pushing hands, some students tend to take very low and extended
stances, so that opponent cannot push them. In this limited situation it often
works - opponent is not able to push. But if someone would do it in free
fighting, it would immobilize him for a second, and he would be easy prey for
fast moving opponent with good footwork. So it is important to remember:
"don't do in tui shou anything that you wouldn't do in san shou". In
tui shou we practice just some aspect of san shou, and not something without
relation to san shou.
Can you tell us something more about hunyuan li and
its role during tui shou?
In most internal
arts the term nei jin - internal force is used. When in yiquan we say about
hunyuan li it's actually the same thing. Of course there are many aspects to
it.
I already mentioned
the feeling of "force inside mind", but there is of course the body
mechanics aspect involved, and also ling - swiftness, fluidity and agility which come from the mind and
coordination of mind and body. Hunyuan li means a holistic force.
Hunyuan means one,
unified, primeval. Sometimes it is written with different character for yuan,
and then there is additional meaning of 'round'. To put it in simple words,
hunyuan li means that there is specific coordination ofmind and body, and also
ability of using of specific body mechanics, and what is most important you are
able to use it any time, in any direction and with any part of body, and change
it freely. To give some more idea about it, imagine an athlete, for example a
runner. He is ready to run, and when there is a signal he starts running. Now
he is still waiting for signal, but
his intention is
already directed forward. He is not completely static, he is as if starting to
run already, but stopping immediately, and yet like starting to run again.
Hunyuan li is something similar, but instead of readiness of moving in one
direction, there is readiness of moving or using force with any part of body in
any direction at the same time. In tui shou you have situations changing all
the time, but at each point of movement you should maintain alignment of body
proper for this situation, and you
should be able to
change, to adjust yourself to changing situation. This is not about some sets
of movement, but about readiness to react properly in changing conditions. Of
course in tui shou, there is also aspect of fa li -issuing force, and it is
also based on concept of hunyuan li and on working with it using all kinds of
basic training methods.
How differ tui shou in yiquan from taiji tui shou (and
other styles tui shou practice)?
Yiquan comes from
xingyiquan, so it puts stress on developing this kind of strong but at the same
time elastic power. Although there is softness in it, we don't stress it so
much as most taijiquan people seem to do. There is more of powerful issuing
force than of "inducing opponent into emptiness". Of course with time
the skill of yiquan practitioner becomes very refined and subtle, but for
beginner what is simple and direct works better than something very
sophisticated. So in yiquan beginners can develop some useful skills in quite
short time, and then gradually refine them and make them
more subtle. You can
see it in our tui shou practice when comparing it to most schools of taijiquan.
Another thing is that in many schools of taijiquan - of course this is not case
of all schools - they concentrate only
on tui shou, neglecting san shou, so their tui shou becomes just pushing for
sake of pushing instead of serving san shou. And in yiquan we always stress the
relation between tui shou and san shou. We see tui shou as
a part of san shou,
not replacing san shou with tui shou.
Can you say a few words about mindset during tui shou
and san shou?
San shou can mean
real combat, but it can also mean some various kinds of practice preparing for
combat. It makes some difference. Because in real combat, I mean when there is
real threat, you must do everything to win. You are focused and determined. In
zhan zhuang we gradually develop this kind of mindset. But in san shou as a
training, you must take care of not only your own safety, but also your
partner's. So it's impossible to keep the mindset proper for real combat.
Sometimes, you can do some limited sparring, when you can come close to this
mindset, but only because what you and your partner do is somewhat limited,
because of reason of safety. When the sparring becomes more free, with less
limitations, you must have some more control. So this makes difference between
san shou as a sparring and san shou as
real fighthing. Of course you wouldn't spar with your partner as if it
was real fight. When talking about tui shou, here there also could be different
mindsets.Basic tui shou is like shi li, where you concentrate on feeling the
"strength" in changing situations. Then there is some free tui shou,
but it's still far from sparring - you are focused, but not so
determined,rather concentrating on observing what's happening. And there is
free sparring, when you are focused and much more determined. In some versions,
like in competition tui shou, where the usage of different methods is limited
to issuing force for unbalancing opponent and throwing him off, it's possible
to come close to the mindset similar in some aspect (the determination) to that
in real combat, although used methods are so limited.
Tui shou from the point of view of the other teachers
I also asked Mr. Tim
Cartmell and Mr. Karel Koskuba about their oppinions and ideas about tui shou
practice.
The first is short
interview with Tim Cartmell, well
known martial arts writer and teacher of taijiquan, xingyiquan and baguazhang.
He studied yiquan with Gao Liu De.
Why to practice tui shou?
Tui Shou is a drill
that aims to develop tactile sensitivity in the hands and arms ("Listening
Skill") and the awareness of your center of gravity in relation to your
partner's center of gravity. The basic practice involves cycles of pressure applied
by both partners with the intent of controlling your partners center of gravity
while simultaneously keeping your parner from controlling your center of
gravity. Tui Shou is the more advanced
practice of defending oneself while finding an opening in the
opponent's defense.
The ability to immediately and effectively apply an appropriate
offensive technique
at the slightest opportunity is the goal of training ("Understanding
Skill").
What is the most misunderstanding or mistake during
tui shou practice?
There are two
mistakes I commonly encounter. The first is beginning the practice of Tui Shou
too early in the training. Practitioners need to have good anatomical
alignment, power, and a thourough understanding of technique or the practice of
Tui Shou is 'empty.' The goal of Tui Sou practice is the cultivation of
sensitivity so that you create the opportunity to apply your technique while
preventing the opponent from applying his technique. This is only a meaningful
practice if the practitioners have already developed power and the ability to
apply practical techniques.The second problem is the use of innapropriate
force. Many practitioners struggle against force with brute force while many
others are like rag dolls. Tui Shou is all about the appropriate use of force.
What is the main area on which one should
concentrate during tui shou?
In general, students
should concentrate on adhering to their partner's center of gravity (and not a
particular place on the partner's arm per se) and, most importantly, students
should understand that the proper practice of Tui Shou is based on simultaneous
offense and defense, not one then the other.
Here are some of the
ideas of Karel Koskuba, UK based
martial arts teacher. He teaches taijiquan, baguazhang, xingyiquan and yiquan.
In yiquan, he is a student of Master Yao Chengguang.
What is the most important thing during tui shou
practice?
There are many
important things and it is impossible to arrange them in order of importance.
It depends on what our aim is and on our level.
For example, for the
absolute beginner relaxation (both physical and mental) is one of the most
important parts. Then you should practice movement patterns of tui shou with
light contact and relaxed concentration for quite a long period of time.
This stage require
concentration on self and on the way the movements affect us.
Later sticking,
following, leading, neutralizing etc. is practised. At this stage, we should
focus on our opponent's centre.
During the next
stage it is important to create unity
of movement between both partners. So
it is not clear who leads and who follows. From the technical point of view,
you should practice techniques of peng, lu, ji, an (this holds for Taiji) etc.
Which mistake appears most often and what one should pay
attention to?
Considering that the
order of importance changes, it is the same with mistakes - a small mistake in
the beginning could be a big mistake later on!
One of the main
mistakes, which can be found in 99 % of practitioners, is the lack of patience.
We must pay
attention to our own mistakes. Usually, we are aware of our partnerīs mistakes.
For example, one often occurring problem is that our partner is stiff and we
are unable to practice lightly and softly as we would wish. But we are not aware
of the fact that our partner has just the same problem. And both of us are
right. To solve this situation is not easy until one of the practitioners is on
a level where he is able to neutralize the stiff partner. Or we should go back
to the beginning level, where we practice "patterns". So it is better
to practice with someone who is much better or much worse. In such situation
both of the practitioners are able to make better progress rather then when
practising with someone who is on the same level.
Why is tui shou so important?
We must understand
the purposes of the practice. In the internal martial arts we are developing
certain type of movement and power generation. One of the main purposes of tui
shou is to practice the continuous application of ījinī (internal strength).
During practice of stances we relax and unite the whole body, then we train to
move (e. g. during forms) using whole body and generate whole body power. Tui
shou is the level where we learn how to work with ījinī and manipulate our
partner. At first very slowly and carefully, later we can add throws, joint
locking and leverages, etc.
In your opinion - what is the main difference between tui
shou in yiquan and tui shou in other styles?
Differences are
determined by applications. If a style contains many complex elements (e. g.
joint locks, etc.), this will be reflected in tui shou.
All of the internal
styles try to control the centre of the opponent.
The most important
manifestion of the power in Taijiquan is īpeng jinī. During a contact with an
expert we have a sensation that there is nothing to push and if we are lucky to
find some solid point and push, we find, that this point is not solid after all
and our power is going to the side. On the other hand, we are not able to
prevent him to do with us what he wants even if he is moving seemingly slowly.
The main concept of
Baguazhang is evasion, and is also reflected in tui shou. In contact with an
expert, we also have the feeling that there is nothing to push. But it isnīt
because of the fact that his body has no solidity, but because his body is not
there. We are pushing empty space and his arms are controlling our centre from
the other side.
Xingyiquan tui shou
is a sort of controlled fight and the main idea is to control opponentīs centre
as quickly as possible. The best is not to touch him in the first place!
Yiquan is quite a
simple style and this is also shown during tui shou. The main idea is to
manifest īhun yuan liīin every direction and to conquer the opponentīs centre.
During tui shou with an expert we will find that immediately after contact, we
lose our balance and it may be very difficult to avoid being thrown in one
direction or another!
But this is just a
simplified view, of course.
Coclusion
In my opinion, tui
shou is one of the best ways to free fighting. I learned from this method so
much! Through tui shou, I deepened my understanding of body mechanics, proper
alignment, balance, timing, force issuing and much more.
In their book
"Secret techniques of yiquan", Yao Chengguang and Kubo Isato say:
"In a real fight the ultimate goal is to control an opponent
naturally." Tui shou with other training methods handed down by Wang
Xiangzhai is quite a simple and direct way toward this goal.
Links
For more information
about yiquan, visit Andrzej Kaliszīs site:
www.yiquan.com.pl
Tim Cartmellīs
website is.
www.shenwu.com
Karel Koskubaīs
websites are:
www.golem.demon.co.uk
and
www.yiquan.org.uk